MUsapan sheds light on the current and effective approaches to building impactful, relevant, and socially responsible exhibitions and museums. 

Curatorial practice is easily associated with exhibition-making. It is primarily through physical exhibitions that the art world introduces or re-introduces new or old artists and artworks. Nonetheless, the introduction and widespread use of the internet presented a plethora of opportunities that are now challenging the status quo of the curatorial. If before, exhibitions have solely relied on physical visualization, artworks can now be presented digitally. Though exhibitions are primarily dependent on the sense of sight, exhibitions are not merely visual spectacles. When curators build exhibitions to be experiential, the utilization and manipulation of space are studied with utmost importance.

Artworks and cultural materials, after all, are not meant to be simply viewed but experienced. But how should a curator build an exhibit when that experience can be now placed on a flat screen?